Captive Movie Star: A Gay Straight Fantasy

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The content there was very queer, it felt comfortable and very welcoming to me.

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So when I started to write, I knew that was what I wanted to do but I also knew that there was very little like it on commercial bookshelves. Very often, most of the time what we see in fantasy is still that Tolkein-esque nostalgia of the past. And the past is very limiting for people of any kind of minority background because we are locked out of nostalgia.

The past is a place where we have less representation and fewer rights and we are not as comfortable there as someone who is from a majority viewpoint. Fanart created by Shun Rei via Twitter. A heteromantic relationship defines him throughout the series. I think when I read that series, there was something about the way Dunnett approached his bisexuality that I found very comfortable and familiar. She just went about writing it in a very free, expressive way that clicked with me, and in some ways, influenced Captive Prince. I wanted to write a universe where there was a comfortable, homo-normative sexuality as well, where people felt that this was a comfortable space for sexual expression.

I also watch Penny Dreadful. So I thought that was amazing for the show to do that. And to do it very freely as well. Oh and The ! The second season of that show has one of the most amazing female characters on TV, and I was so happy to see bisexual representation on a TV show.

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Fanart created by Shyla via Tumblr. Perhaps, in terms of how you drew from sexuality in Ancient Greek society? I think we all know that Ancient Greece is one of the few societies that… had a different construct of sexuality than we do today.

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So when we think about Ancient Greece, we instinctively grasp that while sexual attraction is innate, sexual identity is a construct, and it is constructed differently in different cultures and time periods. And we know that it was constructed very differently in Ancient Greece and that they had very different ideas of what sexual identity was then. So when we encounter a culture that is very much like Ancient Greece, in the case of Akielos, we already start to understand that we might be engaging in different constructs of sexuality in this book.

So that is why I drew on that there. That was more a secular construction. I felt that adding religious weight to sexual behaviour can create a kind of a culture of shame and sex-negativity that I was not interested in engaging with this book. I wanted it to feel a lot more comfortable than that, and very free from the kinds of baggage sexual expression faces in our own society.

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A lot of our sexual taboos come out of really old, antiquated readings of religious text, so I wanted to push that all to one side and create something that was completely new and felt very fresh, very different from the way sexuality has been constructed in our society now. How did you go about writing the sex scenes for your book? What kind of research did you do or who did you talk to make those scenes as accurate as possible? I find them so hard to write, they are so difficult!

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They usually take me the longest out of any scene. A lot of times I think sex is where we express our most intimate selves. So narratively, sex is like a climax. I felt like it was more important that the sex scenes felt emotionally true, that it was true to the characters and more human than anything else. It was a red herring and it would lead me down the wrong path.

I spent a lot of time in my late teens and early 20s reading fiction online because there was a really vibrant community there. The content there was very queer, it felt comfortable and very welcoming to me. So when I started to write, I knew that was what I wanted to do but I also knew that there was very little like it on commercial bookshelves. Very often, most of the time what we see in fantasy is still that Tolkein-esque nostalgia of the past. And the past is very limiting for people of any kind of minority background because we are locked out of nostalgia.


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The past is a place where we have less representation and fewer rights and we are not as comfortable there as someone who is from a majority viewpoint. Fanart created by Shun Rei via Twitter. A heteromantic relationship defines him throughout the series. I think when I read that series, there was something about the way Dunnett approached his bisexuality that I found very comfortable and familiar. She just went about writing it in a very free, expressive way that clicked with me, and in some ways, influenced Captive Prince.

I wanted to write a universe where there was a comfortable, homo-normative sexuality as well, where people felt that this was a comfortable space for sexual expression. I also watch Penny Dreadful. So I thought that was amazing for the show to do that. And to do it very freely as well.

Oh and The ! The second season of that show has one of the most amazing female characters on TV, and I was so happy to see bisexual representation on a TV show.


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Fanart created by Shyla via Tumblr. Perhaps, in terms of how you drew from sexuality in Ancient Greek society? I think we all know that Ancient Greece is one of the few societies that… had a different construct of sexuality than we do today. So when we think about Ancient Greece, we instinctively grasp that while sexual attraction is innate, sexual identity is a construct, and it is constructed differently in different cultures and time periods.

And we know that it was constructed very differently in Ancient Greece and that they had very different ideas of what sexual identity was then. So when we encounter a culture that is very much like Ancient Greece, in the case of Akielos, we already start to understand that we might be engaging in different constructs of sexuality in this book. So that is why I drew on that there.

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That was more a secular construction. I felt that adding religious weight to sexual behaviour can create a kind of a culture of shame and sex-negativity that I was not interested in engaging with this book. I wanted it to feel a lot more comfortable than that, and very free from the kinds of baggage sexual expression faces in our own society. A lot of our sexual taboos come out of really old, antiquated readings of religious text, so I wanted to push that all to one side and create something that was completely new and felt very fresh, very different from the way sexuality has been constructed in our society now.

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How did you go about writing the sex scenes for your book? What kind of research did you do or who did you talk to make those scenes as accurate as possible? I find them so hard to write, they are so difficult! They usually take me the longest out of any scene.

A lot of times I think sex is where we express our most intimate selves. So narratively, sex is like a climax. I felt like it was more important that the sex scenes felt emotionally true, that it was true to the characters and more human than anything else.